1 00:00:06,020 --> 00:00:07,890 Previously on Genius... 2 00:00:07,920 --> 00:00:10,060 -I loved you the first moment I saw you. -And why in God's name 3 00:00:10,090 --> 00:00:12,660 would I trade one broke artist for another? 4 00:00:12,700 --> 00:00:14,230 FERNANDE: Opium. 5 00:00:14,260 --> 00:00:17,870 I want to make you happy. I worship you, Fernande. 6 00:00:17,900 --> 00:00:19,270 PABLO: Only Matisse. 7 00:00:19,300 --> 00:00:21,270 No, this artist has more than just talent. 8 00:00:21,310 --> 00:00:25,210 He has vision. He's bent all the rules, 9 00:00:25,240 --> 00:00:27,080 and I want to smash them. 10 00:00:27,110 --> 00:00:28,180 We have done it, Pablo. 11 00:00:28,210 --> 00:00:30,050 FERNANDE: When the Autumn Salon opens, 12 00:00:30,080 --> 00:00:31,580 -you'll both be sensations. -PABLO: Matisse. 13 00:00:31,620 --> 00:00:33,580 -PABLO: I'm not submitting it. -APOLLINAIRE: But why? 14 00:00:33,620 --> 00:00:35,420 It's not good enough. 15 00:00:35,450 --> 00:00:37,390 This is exactly how you raised me. 16 00:00:37,420 --> 00:00:39,020 To stand up for myself. 17 00:00:39,060 --> 00:00:40,790 I warned you to stay away from Picasso. 18 00:00:40,820 --> 00:00:43,890 You're not actually in love with him, are you? 19 00:00:43,930 --> 00:00:47,630 My African masks protect me against all evil spirits. 20 00:00:49,430 --> 00:00:51,370 We found her wandering along the river, 21 00:00:51,400 --> 00:00:53,700 but there was no evidence of an attack. 22 00:00:53,740 --> 00:00:55,040 Perhaps you should take her to the hospital. 23 00:00:55,070 --> 00:00:57,970 I don't think she's in her right mind. 24 00:00:58,010 --> 00:01:00,040 You think she doesn't mind because she's such 25 00:01:00,080 --> 00:01:01,780 a free thinker, but she does mind, very much. 26 00:01:01,810 --> 00:01:04,480 I'm sorry, I thought I could do things your way, but I can't. 27 00:01:04,510 --> 00:01:07,950 I'm going to look after myself, and I hope you look after Dora. 28 00:01:09,090 --> 00:01:11,090 * 29 00:01:47,490 --> 00:01:50,630 (seagulls squawking) 30 00:01:50,660 --> 00:01:52,200 EMILE: Jump, Françoise. 31 00:01:52,230 --> 00:01:53,660 FRANCOISE: No, Papa. I can't. 32 00:01:53,700 --> 00:01:54,860 EMILE: Jump. 33 00:01:54,900 --> 00:01:56,370 Papa, please don't make me. 34 00:01:56,400 --> 00:01:58,440 The world is not kind to women, Françoise. 35 00:01:58,470 --> 00:02:00,770 You must learn to be as strong as a man. 36 00:02:00,800 --> 00:02:03,040 Come on, now. 37 00:02:03,070 --> 00:02:05,180 I'm sorry, I... 38 00:02:05,210 --> 00:02:07,380 (screams) 39 00:02:12,020 --> 00:02:13,220 (clears throat) 40 00:02:19,090 --> 00:02:21,730 -How did it happen? -The power was out. 41 00:02:21,760 --> 00:02:24,160 I couldn't see a thing. I slipped down the stairs. 42 00:02:24,190 --> 00:02:26,060 Are you in terrible pain? 43 00:02:26,100 --> 00:02:27,630 I've been through worse. 44 00:02:27,660 --> 00:02:29,600 Uh... 45 00:02:31,170 --> 00:02:33,370 -Are these for me? -Yes. 46 00:02:33,400 --> 00:02:36,970 -I love them. -Why? 47 00:02:37,010 --> 00:02:39,710 Because they are absolutely absurd. 48 00:02:39,740 --> 00:02:43,050 (laughing) Yeah. Yeah. 49 00:02:46,780 --> 00:02:49,390 Well... 50 00:02:51,390 --> 00:02:52,690 How is Dora? 51 00:02:52,720 --> 00:02:54,690 Oh, she's doing much better now. 52 00:02:54,720 --> 00:02:57,230 -Is she home from the hospital? -Yes. 53 00:02:57,260 --> 00:02:58,760 She's in psychotherapy. 54 00:02:58,800 --> 00:03:00,560 Even going to church. Imagine-- 55 00:03:00,600 --> 00:03:03,300 a surrealist who believes in God. 56 00:03:05,130 --> 00:03:09,340 But don't worry, I'm taking care of her. 57 00:03:09,370 --> 00:03:11,510 Now... 58 00:03:11,540 --> 00:03:13,540 let me take care of you. 59 00:03:15,210 --> 00:03:19,620 I tried your arrangement, Pablo. 60 00:03:19,650 --> 00:03:21,350 It didn't work for me. 61 00:03:21,390 --> 00:03:25,120 These past few months, uh, I have missed you, terribly. 62 00:03:25,150 --> 00:03:28,560 You inspire me and-and challenge me. 63 00:03:28,590 --> 00:03:30,760 What about Dora? 64 00:03:32,460 --> 00:03:35,130 Dora and I are through. 65 00:03:35,160 --> 00:03:38,440 And what about Marie-Thérèse? 66 00:03:38,470 --> 00:03:42,910 Well, she's the mother of my child. 67 00:03:42,940 --> 00:03:45,710 But we haven't been lovers in years. 68 00:03:45,740 --> 00:03:48,080 I only want you, Françoise. 69 00:03:48,110 --> 00:03:50,750 All the time. 70 00:03:50,780 --> 00:03:53,720 Hmm. 71 00:03:53,750 --> 00:03:56,290 You were the one who... 72 00:03:56,320 --> 00:03:58,920 who said we shouldn't see each other too often, 73 00:03:58,960 --> 00:04:00,920 that too much passion 74 00:04:00,960 --> 00:04:03,090 burns itself out. 75 00:04:03,130 --> 00:04:06,500 But you don't think I'm always right, do you? 76 00:04:10,300 --> 00:04:12,340 It's a lot to think about. I need some time. 77 00:04:12,370 --> 00:04:14,100 Of course. 78 00:04:14,140 --> 00:04:17,440 I have the use of a house by the sea. 79 00:04:17,470 --> 00:04:19,510 In Golfe-Juan. 80 00:04:19,540 --> 00:04:21,650 Go. Recover. 81 00:04:21,680 --> 00:04:23,110 Bring a friend. 82 00:04:24,880 --> 00:04:26,320 Take your time. 83 00:04:26,350 --> 00:04:29,220 Think about what you want. 84 00:04:31,560 --> 00:04:35,160 But don't make me wait too long. 85 00:04:35,190 --> 00:04:38,090 (chuckles) 86 00:04:38,130 --> 00:04:40,460 JACOB: At long last, 87 00:04:40,500 --> 00:04:43,370 the critics have spoken. 88 00:04:43,400 --> 00:04:45,370 (giggles) Listen to this. 89 00:04:45,400 --> 00:04:48,270 Mauclair calls Matisse 90 00:04:48,300 --> 00:04:51,040 and his merry band of imitators 91 00:04:51,070 --> 00:04:54,510 "a pot of paint flung 92 00:04:54,540 --> 00:04:56,310 in the public's face." 93 00:04:56,350 --> 00:04:59,050 And, uh, "a Donatello 94 00:04:59,080 --> 00:05:02,190 among wild beasts." 95 00:05:02,220 --> 00:05:03,950 FERNANDE: Matisse? 96 00:05:03,990 --> 00:05:05,360 A wild beast? How awful. 97 00:05:05,390 --> 00:05:06,720 PIERET: Aren't you tickled, Pablo? 98 00:05:06,760 --> 00:05:09,490 Had you submitted to the Autumn Salon, 99 00:05:09,530 --> 00:05:11,130 it could've been you they savaged. 100 00:05:11,160 --> 00:05:13,260 Who the hell are you? 101 00:05:15,030 --> 00:05:17,630 Pablo, I introduced you last week. 102 00:05:17,670 --> 00:05:20,000 This is Géry Pieret, 103 00:05:20,040 --> 00:05:21,410 my secretary. (chuckles) 104 00:05:21,440 --> 00:05:23,070 You're a poet, Guillaume. 105 00:05:23,110 --> 00:05:25,510 Why in God's name do you need a secretary? 106 00:05:25,540 --> 00:05:27,240 (chuckles) 107 00:05:27,280 --> 00:05:29,550 You're all fools. 108 00:05:29,580 --> 00:05:32,250 Can't you see? Matisse succeeded. 109 00:05:32,280 --> 00:05:35,350 Critics are-are rotting corpses who still think 110 00:05:35,390 --> 00:05:38,150 Impressionism is the modern style, for God's sake. 111 00:05:38,190 --> 00:05:39,760 The fact that they hate Matisse 112 00:05:39,790 --> 00:05:43,190 only proves how great he is. 113 00:05:43,230 --> 00:05:46,930 "Wild beast." It's a badge of honor. 114 00:05:49,530 --> 00:05:52,670 My work would never attract such anger. 115 00:05:52,700 --> 00:05:56,040 I need to be more offensive. 116 00:05:56,070 --> 00:05:59,080 More abhorrent. 117 00:06:00,480 --> 00:06:04,250 I need my work to shock. 118 00:06:04,280 --> 00:06:06,280 WOMAN: It's positively revolting. 119 00:06:08,250 --> 00:06:09,990 Look. 120 00:06:11,760 --> 00:06:13,290 She has monkey feet. 121 00:06:13,320 --> 00:06:15,460 The artist is playing with proportions. 122 00:06:15,490 --> 00:06:18,600 Or maybe he can't draw feet. 123 00:06:18,630 --> 00:06:21,230 If you want to be a real collector, Gertrude, 124 00:06:21,260 --> 00:06:25,100 learn the lingo. Line, shape, form, light... 125 00:06:25,130 --> 00:06:27,100 Ah, Monsieur and Mademoiselle Stein. 126 00:06:27,140 --> 00:06:30,240 Welcome back. A stunning piece, no? 127 00:06:30,270 --> 00:06:32,640 Hmm. I do find it intriguing. 128 00:06:32,680 --> 00:06:35,880 She'd make a beautiful addition to yours and, uh, 129 00:06:35,910 --> 00:06:37,750 your sister's collection. 130 00:06:37,780 --> 00:06:40,250 And she's only 200 francs. 131 00:06:40,280 --> 00:06:41,990 For that? 132 00:06:42,020 --> 00:06:43,890 You... you have got to be kidding. 133 00:06:43,920 --> 00:06:46,460 Oh, she will be worth double next year. 134 00:06:46,490 --> 00:06:49,390 Uh, did I hear you mention "monkey," 135 00:06:49,430 --> 00:06:50,630 Mademoiselle Stein? 136 00:06:50,660 --> 00:06:52,500 I have another Picasso 137 00:06:52,530 --> 00:06:55,500 I think you might like. 138 00:07:05,310 --> 00:07:06,740 If I take them both, 139 00:07:06,780 --> 00:07:08,080 will you knock a few francs off the price? 140 00:07:08,110 --> 00:07:09,150 Good God, Leo, don't. 141 00:07:09,180 --> 00:07:10,610 -Shh. -Ah... 142 00:07:10,650 --> 00:07:14,120 I will give you the pair for 350 franc. 143 00:07:14,150 --> 00:07:17,850 Sold. 144 00:07:17,890 --> 00:07:20,190 Now, tell me, this Picasso-- 145 00:07:20,220 --> 00:07:22,130 do you know where I can find his studio? 146 00:07:22,160 --> 00:07:25,660 Oh! Yes. But, uh, I must warn you, uh, 147 00:07:25,700 --> 00:07:29,600 Pablo is a, uh, tricky little character. 148 00:07:29,630 --> 00:07:31,500 (knocking) 149 00:07:35,340 --> 00:07:36,770 LEO: Good afternoon. 150 00:07:36,810 --> 00:07:39,610 I'm looking for a Mr. Picasso. 151 00:07:39,640 --> 00:07:41,180 Who? 152 00:07:41,210 --> 00:07:43,450 Picasso. I was told he lived here. 153 00:07:43,480 --> 00:07:47,150 There is no Picasso here. Good-bye. 154 00:07:47,180 --> 00:07:49,650 If you do see him, 155 00:07:49,690 --> 00:07:51,050 would you please tell him that 156 00:07:51,090 --> 00:07:53,220 the collectors Leo and Gertrude Stein 157 00:07:53,260 --> 00:07:56,960 just purchased two of his paintings? 158 00:07:56,990 --> 00:07:58,860 We'd like to invite him to our Saturday salon. 159 00:08:04,730 --> 00:08:06,900 Oh. 160 00:08:06,940 --> 00:08:10,210 Dinner jackets optional. 161 00:08:10,240 --> 00:08:12,840 But tell him he may want to wear pants. 162 00:08:17,910 --> 00:08:21,180 Pablo Picasso, meet Henri Matisse. 163 00:08:23,350 --> 00:08:25,250 A pleasure, Monsieur Picasso. 164 00:08:25,290 --> 00:08:27,060 (softly clears throat) 165 00:08:27,090 --> 00:08:28,690 And you, too, mademoiselle, uh... 166 00:08:28,730 --> 00:08:30,160 Fernande Olivier. 167 00:08:30,190 --> 00:08:33,200 Ah. Enchanté. 168 00:08:35,460 --> 00:08:37,830 LEO: Pretty spectacular, no? 169 00:08:37,870 --> 00:08:39,240 Truly original. 170 00:08:43,110 --> 00:08:44,910 Critics hated it. 171 00:08:47,580 --> 00:08:50,950 I think it's splendid, Monsieur Matisse. 172 00:08:50,980 --> 00:08:53,520 And I love your dinner jacket. 173 00:08:53,550 --> 00:08:55,050 Is it imported? 174 00:08:55,080 --> 00:08:57,850 It is, uh, Scottish tweed from Aberdeen. 175 00:08:57,890 --> 00:08:59,660 You have quite the eye, huh? 176 00:09:01,220 --> 00:09:04,290 Monsieur Stein, this room, this shrine to art-- 177 00:09:04,330 --> 00:09:05,630 it's breathtaking. 178 00:09:05,660 --> 00:09:07,200 You have such taste. 179 00:09:07,230 --> 00:09:09,700 -Mm. -GERTRUDE: Well, that's debatable. 180 00:09:09,730 --> 00:09:11,530 Gertrude Stein, Leo's sister. 181 00:09:11,570 --> 00:09:15,440 Nobody was assuming you're my wife. 182 00:09:15,470 --> 00:09:18,470 (chuckles) Leo, shall I tell Henri what you said 183 00:09:18,510 --> 00:09:21,610 about Woman with a Hat the first time you saw it? 184 00:09:23,150 --> 00:09:25,250 (chuckles softly) 185 00:09:25,280 --> 00:09:27,380 MATISSE: Eh, Monsieur Picasso, 186 00:09:27,420 --> 00:09:30,420 I hear the Steins have purchased two of your works, huh? 187 00:09:30,450 --> 00:09:31,760 There's one right over here. 188 00:09:38,030 --> 00:09:40,430 Gertrude, should I tell Mr. Picasso 189 00:09:40,460 --> 00:09:42,830 what you said about his painting the first time you saw it? 190 00:09:42,870 --> 00:09:45,800 I said I hate the feet. I still do, so I covered them. 191 00:09:50,340 --> 00:09:54,610 Mm. I quite like them. 192 00:09:54,640 --> 00:09:59,020 They remind me, in a way, of primitive sculpture. 193 00:09:59,050 --> 00:10:00,280 Well, they remind me of the gout. 194 00:10:00,320 --> 00:10:01,480 I think the painting would be 195 00:10:01,520 --> 00:10:03,750 far superior without them. 196 00:10:03,790 --> 00:10:06,690 Would you mind terribly if we... 197 00:10:06,720 --> 00:10:10,030 uh, just cut them off, Mr. Picasso? 198 00:10:15,730 --> 00:10:17,970 I suppose that's a no. (chuckles) 199 00:10:18,000 --> 00:10:19,640 FERNANDE: You can't just leave. 200 00:10:19,670 --> 00:10:22,270 Do you think I'm going to stand there and be insulted 201 00:10:22,310 --> 00:10:24,440 while you flirt with every man in sight? 202 00:10:24,470 --> 00:10:25,880 What are you talking about? 203 00:10:25,910 --> 00:10:27,540 I saw how you were with Matisse, 204 00:10:27,580 --> 00:10:29,710 that condescending bastard. 205 00:10:29,750 --> 00:10:31,110 I was just trying to be nice. 206 00:10:31,150 --> 00:10:34,350 Next time, try without your hands. 207 00:10:34,380 --> 00:10:37,050 Are you honestly jealous of Henri Matisse? 208 00:10:37,090 --> 00:10:38,350 Of course not. 209 00:10:38,390 --> 00:10:39,790 Then why are you running? 210 00:10:39,820 --> 00:10:42,990 The Steins are serious collectors. 211 00:10:43,030 --> 00:10:44,790 Think of what they could do for your career. 212 00:10:44,830 --> 00:10:47,500 We need to make friends with them. 213 00:10:47,530 --> 00:10:51,400 How am I supposed to make friends with that rhinoceros? 214 00:10:51,430 --> 00:10:53,870 Paint her portrait. 215 00:10:53,900 --> 00:10:55,710 Why the hell would I do that? 216 00:10:55,740 --> 00:10:58,240 Every woman wants to be painted. 217 00:10:58,270 --> 00:11:00,910 It makes them feel beautiful, a-and I suspect Gertrude 218 00:11:00,940 --> 00:11:02,880 hasn't been made to feel that way too often. 219 00:11:02,910 --> 00:11:05,150 I am not 220 00:11:05,180 --> 00:11:07,120 a portrait painter for hire. 221 00:11:08,180 --> 00:11:09,650 Matisse painted a portrait 222 00:11:09,690 --> 00:11:11,920 and he caused quite a stir, no? 223 00:11:15,590 --> 00:11:17,930 How would you like me? 224 00:11:17,960 --> 00:11:21,660 You can take off the jacket. 225 00:11:21,700 --> 00:11:24,500 And the hat. 226 00:11:24,530 --> 00:11:27,000 Oh, since I'm modeling for you, 227 00:11:27,040 --> 00:11:30,170 I was thinking I'd remove everything but the hat. 228 00:11:30,210 --> 00:11:32,180 What? 229 00:11:32,210 --> 00:11:33,580 I was under the impression you wanted 230 00:11:33,610 --> 00:11:35,950 to paint a bold response to Matisse. 231 00:11:35,980 --> 00:11:39,620 Clothes on. 232 00:11:39,650 --> 00:11:42,090 Hat off. Please. 233 00:11:54,230 --> 00:11:57,700 -What do you think of Renoir? -He's a hack. 234 00:11:57,730 --> 00:11:59,200 -Monet? -Wallpaper. 235 00:11:59,240 --> 00:12:01,940 -Cézanne? -Is this some sort of test? 236 00:12:03,570 --> 00:12:06,810 My brother says I don't know enough about art. 237 00:12:06,840 --> 00:12:09,710 Some advice: 238 00:12:09,750 --> 00:12:12,250 stop listening to your brother. 239 00:12:30,330 --> 00:12:31,940 Pablo, I'm enjoying our time, 240 00:12:31,970 --> 00:12:34,600 but this must be your 40th attempt. 241 00:12:34,640 --> 00:12:36,910 Maybe if I look at it...? 242 00:12:36,940 --> 00:12:39,740 Not until I'm finished. 243 00:12:39,780 --> 00:12:42,580 This can't be just an ordinary painting 244 00:12:42,610 --> 00:12:45,250 if I'm going to outdo Matisse. 245 00:12:45,280 --> 00:12:47,350 -I'm sorry. -For what? 246 00:12:49,150 --> 00:12:51,650 I know I'm not pretty like your other models. 247 00:12:51,690 --> 00:12:52,860 Nonsense. 248 00:12:52,890 --> 00:12:56,630 You are magnificent. 249 00:12:56,660 --> 00:12:59,330 I just... 250 00:12:59,360 --> 00:13:02,070 need to find a way to truly capture you. 251 00:13:07,040 --> 00:13:08,840 GERTRUDE: I'm an artist too, you know? 252 00:13:10,310 --> 00:13:12,440 A writer. 253 00:13:12,480 --> 00:13:16,550 And you've inspired me to write a novel, Pablo. 254 00:13:16,580 --> 00:13:17,780 Can I write 255 00:13:17,810 --> 00:13:20,050 while you paint? 256 00:13:20,080 --> 00:13:23,520 I'm sorry. I need to see your eyes. 257 00:13:25,860 --> 00:13:28,290 Fine. 258 00:13:28,320 --> 00:13:30,490 I'll work it out in my head. 259 00:13:32,260 --> 00:13:34,330 Who knows-- at this rate, I might finish before you do. 260 00:13:34,360 --> 00:13:35,730 (laughs) 261 00:13:35,760 --> 00:13:38,800 MATISSE: What I love most is her shape. 262 00:13:38,830 --> 00:13:41,800 African artists aren't constrained 263 00:13:41,840 --> 00:13:45,140 by classical notions of the-the female anatomy. 264 00:13:45,170 --> 00:13:47,010 They do... (exclaims) as they feel. 265 00:13:47,040 --> 00:13:49,680 And so should we. 266 00:13:49,710 --> 00:13:52,180 Ah. Henri's showing you one of the inspirations 267 00:13:52,220 --> 00:13:56,050 behind his latest masterpiece. 268 00:13:56,090 --> 00:13:57,290 Come. 269 00:13:59,860 --> 00:14:01,860 What do you think? 270 00:14:07,130 --> 00:14:10,200 PICASSO: It's... 271 00:14:10,230 --> 00:14:13,370 absolutely extraordinary. 272 00:14:14,400 --> 00:14:16,510 I hear you have started work 273 00:14:16,540 --> 00:14:19,880 on something special with Gertrude. 274 00:14:19,910 --> 00:14:21,280 How's it coming? 275 00:14:22,310 --> 00:14:25,150 Yes, how is it coming? 276 00:14:28,550 --> 00:14:31,250 "Something is coming out of him, 277 00:14:31,290 --> 00:14:33,560 "certainly it is coming out of him, 278 00:14:33,590 --> 00:14:35,290 "certainly it is something, 279 00:14:35,320 --> 00:14:38,760 certainly it is coming out of him and it has meaning..." 280 00:14:45,230 --> 00:14:47,900 You finished? 281 00:14:47,940 --> 00:14:50,740 I am. 282 00:14:52,740 --> 00:14:55,880 But the painting is not. 283 00:14:55,910 --> 00:14:57,910 Please go. 284 00:15:00,620 --> 00:15:02,290 Oh... 285 00:15:02,320 --> 00:15:05,920 I do-I don't... I don't understand. 286 00:15:05,960 --> 00:15:09,090 I look at your face, but... 287 00:15:11,360 --> 00:15:13,760 I cannot see it anymore. 288 00:15:16,700 --> 00:15:19,100 FERNANDE: No, Pablo. What are you doing? 289 00:15:38,120 --> 00:15:40,590 Oh, my Lord. 290 00:15:40,620 --> 00:15:43,830 Apollinaire was invited to the Steins for their Saturday salon 291 00:15:43,860 --> 00:15:46,600 and he brought that secretary of his. 292 00:15:46,630 --> 00:15:49,200 What's his name? Pieret. 293 00:15:49,230 --> 00:15:51,500 He tried to steal a Cézanne right off the wall. 294 00:15:51,530 --> 00:15:52,870 (laughs) 295 00:15:52,900 --> 00:15:55,800 And Max was there. Drunk, of course. 296 00:15:55,840 --> 00:15:59,480 I don't care about gossip, Fernande. 297 00:15:59,510 --> 00:16:00,980 Please. 298 00:16:01,010 --> 00:16:03,250 I'm working. 299 00:16:05,180 --> 00:16:07,680 Why are you in such a foul mood all of a sudden? 300 00:16:16,060 --> 00:16:20,500 You're right. 301 00:16:20,530 --> 00:16:23,530 Let's get some sun. 302 00:16:23,570 --> 00:16:27,040 Françoise! I've made new friends. 303 00:16:27,070 --> 00:16:28,540 They want to take us for a drink. 304 00:16:28,570 --> 00:16:31,870 You go on. I'm busy. 305 00:16:31,910 --> 00:16:34,010 Françoise, I traveled all the way down here 306 00:16:34,040 --> 00:16:36,510 to have some fun with you and all you do is paint. 307 00:16:36,550 --> 00:16:39,680 And, uh, what are you doing now-- 308 00:16:39,720 --> 00:16:41,880 writing your memoirs? 309 00:16:41,920 --> 00:16:43,590 -A letter. -To whom? 310 00:16:43,620 --> 00:16:45,150 Let me guess-- not your grandmother. 311 00:16:45,190 --> 00:16:48,160 FRANCOISE: "Dear Pablo..." 312 00:16:48,190 --> 00:16:49,660 PICASSO: "Thank you for your generosity. 313 00:16:49,690 --> 00:16:52,330 "I'm very happy, so no point 314 00:16:52,360 --> 00:16:55,030 in you troubling yourself to visit." 315 00:16:55,060 --> 00:16:56,930 What the hell does that mean? 316 00:16:56,970 --> 00:16:59,170 Sounds like she doesn't want to see you. 317 00:16:59,200 --> 00:17:00,540 (sighs) 318 00:17:00,570 --> 00:17:02,270 Get the car. 319 00:17:15,550 --> 00:17:16,750 Pablo. 320 00:17:19,920 --> 00:17:21,520 -Where is she? -Françoise? 321 00:17:21,560 --> 00:17:24,190 -She's out for a walk. -Why did she tell me not to come? 322 00:17:24,230 --> 00:17:25,590 I have no idea... 323 00:17:25,630 --> 00:17:26,760 Has she found someone else? 324 00:17:26,800 --> 00:17:28,860 Or are you poisoning her against me? 325 00:17:28,900 --> 00:17:31,830 -Why in God's name... -Or maybe you are jealous that I chose her and not you. 326 00:17:37,070 --> 00:17:39,110 I could fix that. 327 00:17:47,750 --> 00:17:48,820 What's going on? 328 00:17:48,850 --> 00:17:50,850 Picasso tried to seduce me. 329 00:17:53,860 --> 00:17:55,820 PICASSO: I'm sorry for snapping at you. 330 00:17:55,860 --> 00:17:57,890 It's just... 331 00:17:57,930 --> 00:18:00,930 we came here to escape the snobs and pretenders of Paris. 332 00:18:00,960 --> 00:18:03,000 So when you read to me about Pieret and... 333 00:18:03,030 --> 00:18:05,470 I understand. 334 00:18:05,500 --> 00:18:09,270 It's different here. We Spaniards are simple. 335 00:18:09,310 --> 00:18:12,180 Warm, welcoming. 336 00:18:14,440 --> 00:18:17,610 What if we stayed a bit longer? 337 00:18:19,050 --> 00:18:22,350 -Stop that. -Shame on you. 338 00:18:22,390 --> 00:18:26,020 What? Is a man not allowed to express his love for his woman? 339 00:18:26,050 --> 00:18:27,490 She's not your wife. 340 00:18:29,660 --> 00:18:30,660 Whore. 341 00:18:32,730 --> 00:18:35,430 -(laughing): What in God's name? -(laughing): Come on. 342 00:18:35,460 --> 00:18:38,100 -Sinners! -Sacrilege! 343 00:18:38,130 --> 00:18:40,570 (laughs) 344 00:18:42,000 --> 00:18:45,040 Yes, the Spanish are very warm and welcoming. 345 00:18:45,070 --> 00:18:46,310 (both laugh) 346 00:18:49,310 --> 00:18:50,710 What is it? 347 00:18:54,550 --> 00:18:58,120 Have you ever seen anything like that? 348 00:18:58,150 --> 00:19:00,060 A statue of Mary and Jesus? 349 00:19:00,090 --> 00:19:02,790 I've seen a few. 350 00:19:02,830 --> 00:19:04,630 This one is different. 351 00:19:04,660 --> 00:19:07,360 The wood, the contours. 352 00:19:07,400 --> 00:19:09,500 It must be centuries old. 353 00:19:09,530 --> 00:19:12,370 Iberian, I suppose. 354 00:19:17,170 --> 00:19:19,910 It's a sign. 355 00:19:19,940 --> 00:19:22,210 Of what? 356 00:19:26,180 --> 00:19:28,850 We should have a baby. 357 00:19:28,880 --> 00:19:32,420 There's nothing in the world I would like more 358 00:19:32,460 --> 00:19:35,490 than to have a family with you, Pablo. 359 00:19:35,520 --> 00:19:36,930 But I can't. 360 00:19:39,860 --> 00:19:42,870 When I was with my husband, 361 00:19:42,900 --> 00:19:45,770 I got pregnant. 362 00:19:45,800 --> 00:19:48,100 But I couldn't imagine what that horrible man 363 00:19:48,140 --> 00:19:51,540 could do to a child, so I... 364 00:19:51,570 --> 00:19:54,340 I found a doctor. 365 00:19:54,380 --> 00:19:57,610 And it went wrong, and... 366 00:19:57,650 --> 00:20:01,220 now I can never... 367 00:20:01,250 --> 00:20:04,720 I understand if you don't want to be with me anymore. 368 00:20:05,920 --> 00:20:08,620 Fernande, 369 00:20:08,660 --> 00:20:12,130 you're my muse. 370 00:20:12,160 --> 00:20:15,460 I need you. 371 00:20:15,500 --> 00:20:17,900 But I'll never be able to give you what you want. 372 00:20:17,930 --> 00:20:19,470 Oh, you already do. 373 00:20:19,500 --> 00:20:22,200 Every day. 374 00:20:22,240 --> 00:20:24,470 And today is no different. 375 00:20:24,510 --> 00:20:27,810 You brought me here. 376 00:20:27,840 --> 00:20:29,580 And now, 377 00:20:29,610 --> 00:20:33,320 because of you, 378 00:20:33,350 --> 00:20:36,750 I know how to finish my portrait of Gertrude. 379 00:20:42,690 --> 00:20:44,930 GERTRUDE: It looks nothing like me. 380 00:20:44,960 --> 00:20:47,930 Maybe not today, 381 00:20:47,960 --> 00:20:50,300 but it will. 382 00:21:01,440 --> 00:21:03,610 That's an awfully prominent spot. 383 00:21:03,650 --> 00:21:05,350 I thought you liked Picasso. 384 00:21:05,380 --> 00:21:07,450 He's no Matisse. 385 00:21:07,480 --> 00:21:09,650 Henri's not going to like this. 386 00:21:09,690 --> 00:21:12,660 What happened when Pablo 387 00:21:12,690 --> 00:21:14,760 first saw Henri's portrait 388 00:21:14,790 --> 00:21:16,360 hanging on our wall? 389 00:21:16,390 --> 00:21:18,660 He offered to paint you. So what? 390 00:21:18,690 --> 00:21:20,500 Well, what do you think Matisse will do 391 00:21:20,530 --> 00:21:23,000 when he sees Pablo's portrait hanging above his own? 392 00:21:27,740 --> 00:21:31,540 -He'll try to outdo him. -They make each other better. 393 00:21:39,980 --> 00:21:41,980 MAN: Henri. 394 00:21:42,020 --> 00:21:44,550 -You have a visitor. -Ah, Monsieur Picasso. 395 00:21:44,590 --> 00:21:48,360 Welcome, and, uh... 396 00:21:48,390 --> 00:21:51,660 I see you have already met Monsieur Braque. 397 00:21:51,690 --> 00:21:53,730 He's, uh... Well, he's the youngest 398 00:21:53,760 --> 00:21:55,600 of the "wild beasts," as they call us. 399 00:21:57,230 --> 00:21:59,540 I saw your portrait of Gertrude. 400 00:21:59,570 --> 00:22:01,040 It is captivating, huh? 401 00:22:01,070 --> 00:22:04,210 A bold, uh, a bold challenge 402 00:22:04,240 --> 00:22:07,980 to the classical notions of the female form. 403 00:22:08,010 --> 00:22:11,650 -You should be very proud. -Thank you. 404 00:22:11,680 --> 00:22:15,380 Mm. Gertrude's face did seem 405 00:22:15,420 --> 00:22:18,750 strikingly familiar to me, but I couldn't place it. 406 00:22:18,790 --> 00:22:21,590 And then it dawned on me. 407 00:22:21,620 --> 00:22:24,430 She looked just like my African friend 408 00:22:24,460 --> 00:22:28,360 who inspired my Bonheur de Vivre. Hm. 409 00:22:30,430 --> 00:22:34,740 Are you accusing me of copying you? 410 00:22:34,770 --> 00:22:36,170 Of course not. 411 00:22:36,200 --> 00:22:39,140 We are artists. We must inspire each other. 412 00:22:41,610 --> 00:22:43,510 Your African sculpture 413 00:22:43,550 --> 00:22:46,080 had nothing to do with my portrait of Gertrude. 414 00:22:46,110 --> 00:22:50,050 My influences are purely Iberian. 415 00:22:50,090 --> 00:22:52,120 I am Spanish. 416 00:22:52,150 --> 00:22:55,790 Yes, and, uh, 417 00:22:55,820 --> 00:22:58,960 it seems you have quite the Spanish temper, hmm? 418 00:22:58,990 --> 00:23:01,960 OLDER PICASSO: How can you write to me 419 00:23:02,000 --> 00:23:03,570 and tell me not to come? 420 00:23:03,600 --> 00:23:05,300 So you say you want to be with me and only me, 421 00:23:05,330 --> 00:23:07,700 and then you try and take my best friend to bed? 422 00:23:07,740 --> 00:23:08,900 Oh, please. 423 00:23:08,940 --> 00:23:11,210 It was a joke. 424 00:23:11,240 --> 00:23:13,310 You French-- you don't have sense of humor. 425 00:23:13,340 --> 00:23:15,980 That's because you're not funny, Pablo. 426 00:23:16,010 --> 00:23:17,550 Fine. You want to know the truth? 427 00:23:17,580 --> 00:23:19,080 I was trying to offend her, 428 00:23:19,110 --> 00:23:22,650 so she would go and you and I could be alone. 429 00:23:22,690 --> 00:23:24,750 That is... ridiculous. 430 00:23:24,790 --> 00:23:26,320 Because you make me do ridiculous things. 431 00:23:26,350 --> 00:23:28,790 I told you I needed time to think. 432 00:23:28,820 --> 00:23:30,590 It's been weeks! 433 00:23:30,630 --> 00:23:31,830 And I have missed you. 434 00:23:31,860 --> 00:23:33,400 I couldn't wait any longer. 435 00:23:33,430 --> 00:23:35,400 And you think you're going to get what you want 436 00:23:35,430 --> 00:23:37,000 by backing me into a corner. 437 00:23:39,970 --> 00:23:41,940 Just... (sighs) 438 00:23:41,970 --> 00:23:45,640 give me a chance to show you how life can be with me. 439 00:23:46,840 --> 00:23:48,810 We-we are never alone in Paris. 440 00:23:48,840 --> 00:23:50,480 Not for more than a few hours. 441 00:23:50,510 --> 00:23:52,150 Just, please, 442 00:23:52,180 --> 00:23:54,950 stay for a few days. 443 00:23:54,980 --> 00:23:58,350 If I don't make you happy... 444 00:23:58,390 --> 00:24:00,020 I will go. 445 00:24:02,120 --> 00:24:04,430 FRANCOISE: Please don't leave like this. 446 00:24:04,460 --> 00:24:06,700 You should come with me, Françoise. 447 00:24:06,730 --> 00:24:09,530 I can't. 448 00:24:11,400 --> 00:24:13,400 You're headed for disaster. 449 00:24:20,040 --> 00:24:21,240 (engine starts) 450 00:24:27,550 --> 00:24:31,490 Go and put on that purple blouse of yours. 451 00:24:31,520 --> 00:24:33,560 And the... 452 00:24:33,590 --> 00:24:35,860 willow green slacks. 453 00:24:35,890 --> 00:24:37,360 That's quite specific. 454 00:24:37,390 --> 00:24:39,390 I have a surprise for you. 455 00:24:49,240 --> 00:24:51,570 Whose house is this? 456 00:24:51,610 --> 00:24:54,340 An old friend of mine. 457 00:24:54,380 --> 00:24:56,710 PICASSO: Henri, can you guess who Françoise's 458 00:24:56,750 --> 00:24:58,010 favorite artist is? 459 00:24:58,050 --> 00:25:01,320 Oh, but of course. Uh, uh, you. 460 00:25:01,350 --> 00:25:04,490 No. In fact, it's you. 461 00:25:04,520 --> 00:25:07,260 (laughs) 462 00:25:07,290 --> 00:25:08,520 No... 463 00:25:08,560 --> 00:25:10,530 PICASSO: (chuckles) Look at him. 464 00:25:10,560 --> 00:25:11,730 You made him blush. 465 00:25:11,760 --> 00:25:13,260 Look, look, look at him. 466 00:25:13,300 --> 00:25:14,930 Hand me my sketch pad, Pablo. 467 00:25:14,960 --> 00:25:17,170 Mademoiselle, please, uh, take a seat by the window. 468 00:25:17,200 --> 00:25:18,430 PICASSO: No, no, no, no, no. 469 00:25:18,470 --> 00:25:19,570 She... 470 00:25:19,600 --> 00:25:21,700 She's not here to pose for you. 471 00:25:21,740 --> 00:25:25,270 Oh, why should you be the only one who gets to paint her, huh? 472 00:25:25,310 --> 00:25:27,440 Actually... 473 00:25:27,480 --> 00:25:30,910 Pablo never painted me. 474 00:25:30,950 --> 00:25:32,550 What? Why not? 475 00:25:32,580 --> 00:25:35,180 -Well... -Yes. 476 00:25:35,220 --> 00:25:36,820 Why not? 477 00:25:38,220 --> 00:25:41,220 'Cause you are still an enigma to me. 478 00:25:42,660 --> 00:25:46,560 I have never seen you like this before, Pablo. 479 00:25:46,600 --> 00:25:48,530 (chuckles) 480 00:25:48,560 --> 00:25:50,800 Well, I, uh, 481 00:25:50,830 --> 00:25:54,070 I know how I would paint her. 482 00:25:54,100 --> 00:25:57,440 I would make her hair green. 483 00:25:57,470 --> 00:25:59,370 PICASSO: Of course you would. 484 00:25:59,410 --> 00:26:02,380 To match the Persian rug you would paint her on. 485 00:26:02,410 --> 00:26:03,750 -(laughs) -Huh? 486 00:26:03,780 --> 00:26:05,880 I, uh, I, uh... 487 00:26:05,910 --> 00:26:07,780 Better than making her skin blue 488 00:26:07,820 --> 00:26:09,280 to match the tasteless red tile floor 489 00:26:09,320 --> 00:26:13,220 that you would paint her on, huh? 490 00:26:13,260 --> 00:26:16,560 40 years on, and the great Henri Matisse 491 00:26:16,590 --> 00:26:18,490 is still trying to outdo me. 492 00:26:18,530 --> 00:26:19,730 Come over here. 493 00:26:19,760 --> 00:26:21,260 Un besito, un besito. 494 00:26:21,300 --> 00:26:24,230 Un besito, ah... Listen to that. 495 00:26:24,270 --> 00:26:25,800 LEO: It's absolutely stunning, Henri. 496 00:26:25,830 --> 00:26:29,640 You've reimagined the female form again. 497 00:26:29,670 --> 00:26:31,910 What do you think, Mr. Braque-- 498 00:26:31,940 --> 00:26:33,940 you proud to call Matisse your fearless leader? 499 00:26:33,980 --> 00:26:35,580 (scoffs) 500 00:26:35,610 --> 00:26:36,780 Look at this painting. 501 00:26:36,810 --> 00:26:37,950 It is clear: 502 00:26:37,980 --> 00:26:39,580 no one can follow him. 503 00:26:39,610 --> 00:26:42,150 LEO: (short chuckle) 504 00:26:42,180 --> 00:26:43,750 GERTRUDE: I hate to say it, 505 00:26:43,790 --> 00:26:46,390 but Matisse has done it, again. 506 00:26:51,460 --> 00:26:54,000 I know what you are doing. 507 00:26:54,030 --> 00:26:55,860 What are you talking about? 508 00:26:55,900 --> 00:26:59,130 You're trying to make me jealous so I'll outdo him. 509 00:27:02,910 --> 00:27:04,640 And I will. 510 00:27:06,640 --> 00:27:08,010 But first, 511 00:27:08,040 --> 00:27:10,350 I need money to rent a new studio. 512 00:27:10,380 --> 00:27:14,150 Mine has been taken over by Fernande's junk. 513 00:27:14,180 --> 00:27:15,950 Ah. 514 00:27:15,980 --> 00:27:18,820 There's one available on the floor above us, 515 00:27:18,850 --> 00:27:20,160 but I can't afford it. 516 00:27:22,020 --> 00:27:25,990 Consider it an advance on your next painting. 517 00:27:33,000 --> 00:27:34,870 PICASSO: It's obvious he copied the face 518 00:27:34,900 --> 00:27:36,300 from Iberian sculpture. 519 00:27:36,340 --> 00:27:38,640 After I told him about them. 520 00:27:38,670 --> 00:27:41,040 But Iberian art belongs to Spain. 521 00:27:41,080 --> 00:27:42,910 You're goddamn right it does. 522 00:27:44,280 --> 00:27:47,020 PIERET: I didn't know he went to Spain. 523 00:27:47,050 --> 00:27:49,580 He saw them at the Louvre. 524 00:27:49,620 --> 00:27:51,320 You idiot. 525 00:27:51,350 --> 00:27:53,590 And now he's being celebrated 526 00:27:53,620 --> 00:27:56,320 as the great modernist hero, again. 527 00:27:56,360 --> 00:27:57,530 (Fernande laughs) 528 00:27:57,560 --> 00:27:59,690 You are too funny. 529 00:28:04,070 --> 00:28:06,940 Hey. What are you doing? 530 00:28:09,540 --> 00:28:11,870 What the hell is wrong with you? 531 00:28:11,910 --> 00:28:13,780 -Who was that? -Nobody. 532 00:28:13,810 --> 00:28:16,210 I used to model for him. 533 00:28:16,240 --> 00:28:18,610 Are you sleeping with him? 534 00:28:18,650 --> 00:28:20,350 No, Pablo, I'm not. 535 00:28:20,380 --> 00:28:23,050 But if you keep acting like a child, maybe I will. 536 00:28:25,790 --> 00:28:28,720 Those women in Spain were right. 537 00:28:28,760 --> 00:28:30,390 You a a whore. 538 00:28:40,000 --> 00:28:42,040 Pablo. 539 00:28:42,070 --> 00:28:43,270 (thumping) 540 00:28:43,310 --> 00:28:45,310 -Pablo, let me out! -I will. 541 00:28:45,340 --> 00:28:47,610 As soon as you prove that I can trust you again. 542 00:28:47,640 --> 00:28:48,840 You're insane. 543 00:28:50,080 --> 00:28:51,450 Pablo! 544 00:28:51,480 --> 00:28:52,780 (exclaims) 545 00:28:54,020 --> 00:28:55,550 (knocking) 546 00:28:55,580 --> 00:28:57,890 PIERET: Hello? Pablo. 547 00:28:57,920 --> 00:28:59,390 (door opens) 548 00:28:59,420 --> 00:29:01,420 -Sorry to interrupt. -Pieret. What the hell 549 00:29:01,460 --> 00:29:02,560 do you want? 550 00:29:02,590 --> 00:29:04,590 I come bearing gifts. 551 00:29:06,800 --> 00:29:10,200 Consider these a token of our new friendship. 552 00:29:20,710 --> 00:29:22,950 You stole them... 553 00:29:22,980 --> 00:29:25,080 from the Louvre? 554 00:29:25,110 --> 00:29:26,650 I liberated them. 555 00:29:26,680 --> 00:29:29,680 As you said, the Iberians belong to Spain, yes? 556 00:29:29,720 --> 00:29:30,790 Who deserves them more? 557 00:29:30,820 --> 00:29:32,350 A dusty old museum, 558 00:29:32,390 --> 00:29:34,860 or the greatest Spanish painter in the world? 559 00:29:34,890 --> 00:29:38,190 The statues are a gift, of course, but there is 560 00:29:38,230 --> 00:29:41,360 a small... delivery fee, 561 00:29:41,400 --> 00:29:43,800 so to speak. 562 00:29:43,830 --> 00:29:46,840 50 francs. 563 00:29:57,550 --> 00:30:01,150 PICASSO: Wasn't that a wonderful day? 564 00:30:01,180 --> 00:30:04,720 FRANCOISE: It was perfect. 565 00:30:04,750 --> 00:30:06,390 Thank you. 566 00:30:08,760 --> 00:30:11,490 Hey. 567 00:30:11,530 --> 00:30:13,160 Move in with me. 568 00:30:16,400 --> 00:30:20,000 Think how wonderful it would be. 569 00:30:20,040 --> 00:30:22,070 We could, uh, wake up together 570 00:30:22,100 --> 00:30:25,870 and eat together and make, uh, 571 00:30:25,910 --> 00:30:28,540 art together. 572 00:30:28,580 --> 00:30:32,350 That sounds wonderful, but I don't think I'm ready for it. 573 00:30:32,380 --> 00:30:36,020 And even if I were, I... I couldn't abandon my grandmother. 574 00:30:36,050 --> 00:30:38,490 Well, but I need you more than she does. 575 00:30:38,520 --> 00:30:39,650 Hmm. 576 00:30:39,690 --> 00:30:42,860 She's done everything for me. 577 00:30:42,890 --> 00:30:45,060 It would break her heart. 578 00:30:45,090 --> 00:30:48,200 Yeah, but, uh, don't you deserve to be happy? 579 00:30:48,230 --> 00:30:50,400 I do. 580 00:30:50,430 --> 00:30:53,740 There's a price for everything, Françoise. 581 00:30:53,770 --> 00:30:56,970 To create, you must destroy. 582 00:30:58,870 --> 00:31:00,840 After all, the genius of Einstein 583 00:31:00,880 --> 00:31:04,810 leads to Hiroshima. 584 00:31:06,810 --> 00:31:09,220 You're the devil. 585 00:31:09,250 --> 00:31:12,790 Huh. Is that so? 586 00:31:12,820 --> 00:31:15,790 Well... 587 00:31:15,820 --> 00:31:19,230 if I am the devil, then, 588 00:31:19,260 --> 00:31:22,060 I should burn you 589 00:31:22,100 --> 00:31:24,470 with hellfire. 590 00:31:29,300 --> 00:31:30,870 No. I would-I would never. 591 00:31:30,910 --> 00:31:32,070 (laughing): I would never. 592 00:31:32,110 --> 00:31:33,580 I love your face too much. 593 00:31:33,610 --> 00:31:35,210 Hey! Françoise! 594 00:31:35,240 --> 00:31:36,810 I want to go back to Paris. 595 00:31:36,840 --> 00:31:40,820 Oh, I-I forgot that you French cannot take a joke! 596 00:31:46,590 --> 00:31:48,760 (wood creaking) 597 00:31:48,790 --> 00:31:49,990 (door opens) 598 00:31:51,260 --> 00:31:53,260 Fire! Get out! Fire! 599 00:31:55,200 --> 00:31:57,600 (gasps) Help! 600 00:31:57,630 --> 00:31:59,000 Help me! 601 00:31:59,030 --> 00:32:01,170 I'm locked in! 602 00:32:01,200 --> 00:32:03,140 What happened? 603 00:32:03,170 --> 00:32:04,770 Kitchen fire in Léger's studio. 604 00:32:04,810 --> 00:32:06,810 We stopped it before it spread. 605 00:32:13,450 --> 00:32:14,680 Fernande? 606 00:32:14,720 --> 00:32:15,820 Oh, thank God. 607 00:32:15,850 --> 00:32:17,250 Where were you?! 608 00:32:17,290 --> 00:32:19,350 I was trapped. You could have killed me! 609 00:32:19,390 --> 00:32:21,120 I'm sorry! My love, I-I am so sorry. 610 00:32:21,160 --> 00:32:22,360 I-I was at Apollinaire's... 611 00:32:22,390 --> 00:32:24,330 -I am not your prisoner! -Of course not. 612 00:32:24,360 --> 00:32:26,630 Of course not. 613 00:32:26,660 --> 00:32:28,930 I made a mistake. 614 00:32:28,960 --> 00:32:31,600 I don't know what I would do if I lost you. 615 00:32:31,630 --> 00:32:32,830 You already have. 616 00:32:32,870 --> 00:32:36,300 Please. Please. 617 00:32:36,340 --> 00:32:37,940 Don't leave me. 618 00:32:37,970 --> 00:32:41,810 I do ridiculous things because I love you. 619 00:32:41,840 --> 00:32:44,110 Help me change. 620 00:32:44,150 --> 00:32:45,980 I-I'll give you whatever you want. We'll... 621 00:32:46,010 --> 00:32:48,050 We'll have a family. 622 00:32:48,080 --> 00:32:51,720 Now you're just being cruel. 623 00:32:51,750 --> 00:32:53,760 You know perfectly well that I can't. 624 00:32:54,990 --> 00:32:57,890 There's another way. 625 00:33:00,230 --> 00:33:02,230 (children shouting, laughing) 626 00:33:20,250 --> 00:33:21,750 What's her name? 627 00:33:21,780 --> 00:33:23,690 Raymonde. 628 00:33:23,720 --> 00:33:26,720 She reminds me of my sister Conchita. 629 00:33:42,100 --> 00:33:43,310 (door closes) 630 00:33:47,210 --> 00:33:49,410 What's your favorite color? 631 00:33:49,440 --> 00:33:51,110 Green. 632 00:33:51,150 --> 00:33:52,750 Do you know how we make green? 633 00:33:57,450 --> 00:33:59,750 Give me your hand. 634 00:34:10,830 --> 00:34:13,140 Magic. 635 00:34:13,170 --> 00:34:15,700 (Picasso laughs softly) 636 00:34:15,740 --> 00:34:17,810 FERNANDE: I have a green dress. 637 00:34:17,840 --> 00:34:21,580 We can hem it, and you can wear it to school. 638 00:34:21,610 --> 00:34:23,150 PICASSO: You see? 639 00:34:23,180 --> 00:34:24,750 It'll be such fun here. 640 00:34:29,480 --> 00:34:31,090 (clears throat) 641 00:34:31,120 --> 00:34:33,220 Don't worry. 642 00:34:33,260 --> 00:34:34,860 We're going to be a very happy family. 643 00:34:35,690 --> 00:34:37,090 Raymonde. 644 00:34:37,130 --> 00:34:40,930 Let me show you where you will sleep. 645 00:34:49,700 --> 00:34:51,670 Pablo, what are we doing here? 646 00:34:51,710 --> 00:34:55,110 I asked you to take me home. 647 00:34:55,140 --> 00:34:57,450 Whose apartment is this? 648 00:35:01,980 --> 00:35:03,620 What do you want? 649 00:35:03,650 --> 00:35:05,820 Tell her. 650 00:35:05,850 --> 00:35:08,160 Tell her what? 651 00:35:08,190 --> 00:35:09,920 That we are not together anymore. 652 00:35:09,960 --> 00:35:11,830 Pablo. 653 00:35:13,460 --> 00:35:16,100 I'm so sorry. 654 00:35:16,130 --> 00:35:18,330 For what? It's true. 655 00:35:18,370 --> 00:35:20,970 We are not together anymore. 656 00:35:21,000 --> 00:35:22,970 He's all yours. 657 00:35:23,000 --> 00:35:24,970 You see? Now we can go. 658 00:35:25,010 --> 00:35:27,210 You should know, uh, 659 00:35:27,240 --> 00:35:31,010 Pablo has never really loved anyone in his life. 660 00:35:31,050 --> 00:35:33,110 He doesn't know how. 661 00:35:33,150 --> 00:35:34,320 How can you say such a thing? 662 00:35:34,350 --> 00:35:35,950 He will get tired of you, 663 00:35:35,980 --> 00:35:39,020 the way he gets tired of every woman he falls for. 664 00:35:39,050 --> 00:35:42,160 When it happens, don't be hurt. 665 00:35:42,190 --> 00:35:44,830 It won't be your fault. 666 00:35:46,590 --> 00:35:47,830 Come on. 667 00:35:55,170 --> 00:35:56,870 Françoise! 668 00:35:56,900 --> 00:35:59,470 -Françoise. -How could you be so cruel to her? 669 00:35:59,510 --> 00:36:01,140 I did it for you. 670 00:36:01,180 --> 00:36:02,640 So you would trust me when I say 671 00:36:02,680 --> 00:36:04,350 that I am completely devoted to you. 672 00:36:04,380 --> 00:36:06,080 Pablo, you're a monster. 673 00:36:06,110 --> 00:36:08,980 How dare you? 674 00:36:09,020 --> 00:36:12,090 After all I have done, I should throw you in the river. 675 00:36:12,120 --> 00:36:14,720 Go ahead. 676 00:36:16,220 --> 00:36:18,060 I can swim. 677 00:36:18,090 --> 00:36:21,860 I'm sorry. I'm sorry. 678 00:36:21,900 --> 00:36:24,370 (sighs) 679 00:36:24,400 --> 00:36:27,900 I'm sorry. I... 680 00:36:29,940 --> 00:36:32,240 ...I don't know why I am like this. 681 00:36:34,210 --> 00:36:36,210 I love you. 682 00:36:37,950 --> 00:36:42,120 I don't mean to hurt you. I am s-I'm sorry. 683 00:36:42,150 --> 00:36:45,390 Françoise. Françoise. 684 00:36:45,420 --> 00:36:48,020 Françoise, please, look, listen, help me. 685 00:36:48,060 --> 00:36:50,120 Help me. 686 00:36:50,160 --> 00:36:52,390 Help me. Help me 687 00:36:52,430 --> 00:36:54,830 to be a better man, Françoise. 688 00:36:57,230 --> 00:36:59,730 Please. 689 00:37:14,250 --> 00:37:15,620 What do you want? 690 00:37:15,650 --> 00:37:18,120 I am just here to say hello. 691 00:37:18,150 --> 00:37:20,320 You haven't surfaced in months. 692 00:37:20,360 --> 00:37:22,220 Why do you care, Braque? 693 00:37:22,260 --> 00:37:23,960 We barely know each other. 694 00:37:23,990 --> 00:37:27,090 I would like to change that. 695 00:37:27,130 --> 00:37:29,130 I really do admire your work. 696 00:37:32,270 --> 00:37:34,570 Everyone's been talking about your big painting. 697 00:37:34,600 --> 00:37:37,100 May I see? 698 00:37:39,870 --> 00:37:43,210 It is not ready to be seen. 699 00:37:48,280 --> 00:37:51,150 Those are magnificent busts. 700 00:37:51,190 --> 00:37:53,620 -Where did you get them? -Spain. 701 00:37:53,660 --> 00:37:57,260 Ah. Their primitive expression remind me of, um, 702 00:37:57,290 --> 00:37:59,490 the African masks at the Trocadéro Museum. 703 00:38:01,500 --> 00:38:03,830 Have you been? 704 00:38:03,870 --> 00:38:06,930 I'm not interested in African art. 705 00:38:06,970 --> 00:38:09,540 But these masks, they're not like, um, 706 00:38:09,570 --> 00:38:11,540 Matisse's wood carvings. 707 00:38:11,570 --> 00:38:15,140 They are something else, entirely. 708 00:38:17,140 --> 00:38:19,510 I think you would find them inspiring. 709 00:38:21,550 --> 00:38:24,020 Well... 710 00:38:24,050 --> 00:38:26,920 sorry to have bothered. 711 00:38:32,660 --> 00:38:34,660 (door closes) 712 00:38:40,330 --> 00:38:42,700 (door opens) 713 00:38:42,740 --> 00:38:45,340 I thought we were done. 714 00:38:45,370 --> 00:38:46,670 RAYMONDE: Oh. 715 00:38:46,710 --> 00:38:48,140 I'm sorry. 716 00:38:48,180 --> 00:38:49,680 Raymonde. I... 717 00:38:49,710 --> 00:38:51,150 I thought you were someone else. 718 00:38:51,180 --> 00:38:54,180 Please. Come in, come in. 719 00:38:56,380 --> 00:38:58,390 (door closes) 720 00:39:05,790 --> 00:39:08,660 Do you like to paint? 721 00:39:08,700 --> 00:39:10,500 The nuns never let us. 722 00:39:10,530 --> 00:39:14,370 They said it make too much mess. 723 00:39:14,400 --> 00:39:17,070 Well... 724 00:39:17,100 --> 00:39:19,370 a mess doesn't bother me. 725 00:39:26,950 --> 00:39:28,780 When I was young, 726 00:39:28,820 --> 00:39:32,020 my father taught me that 727 00:39:32,050 --> 00:39:33,520 to be a really good painter, 728 00:39:33,560 --> 00:39:37,020 you must first learn how to draw. 729 00:39:37,060 --> 00:39:39,990 He was right. 730 00:39:42,400 --> 00:39:44,570 Master the rules, 731 00:39:44,600 --> 00:39:46,800 so you know how to break them. 732 00:39:50,400 --> 00:39:52,210 FRANCOISE: I know what you're going to say-- 733 00:39:52,240 --> 00:39:55,380 that I'm a silly girl 734 00:39:55,410 --> 00:39:58,280 who's thinking about making the biggest mistake of her life. 735 00:39:58,310 --> 00:40:02,150 I was going to say that you're as stubborn as your father. 736 00:40:02,180 --> 00:40:05,090 Well, he trained me for Pablo, I suppose. 737 00:40:05,120 --> 00:40:07,760 That doesn't mean that you have to spend your life with him. 738 00:40:09,260 --> 00:40:11,290 But he needs me. 739 00:40:11,330 --> 00:40:13,330 He's troubled. 740 00:40:13,360 --> 00:40:15,330 And I do love him. 741 00:40:15,360 --> 00:40:17,000 You're young. 742 00:40:17,030 --> 00:40:19,130 You'll fall in love many times. 743 00:40:19,170 --> 00:40:22,270 Not like this. 744 00:40:24,040 --> 00:40:25,870 (doorbell rings) 745 00:40:54,340 --> 00:40:56,740 * 746 00:41:11,890 --> 00:41:15,090 Take off your dress. 747 00:41:35,780 --> 00:41:37,680 * 748 00:42:05,210 --> 00:42:07,370 You can put your dress back on. 749 00:42:10,440 --> 00:42:12,780 I'm ready to paint you now. 750 00:42:15,820 --> 00:42:18,550 FERNANDE: I put Raymonde to bed. 751 00:42:31,770 --> 00:42:33,870 What is this? 752 00:42:33,900 --> 00:42:35,600 A sketch. 753 00:42:37,640 --> 00:42:39,540 You drew Raymonde naked? 754 00:42:39,570 --> 00:42:41,610 I'm an artist. I draw nudes. 755 00:42:41,640 --> 00:42:44,450 She's a child, Pablo. Our child. 756 00:42:44,480 --> 00:42:46,750 And she's not embarrassed about herself. So what? 757 00:42:46,780 --> 00:42:50,480 Oh, this is always how it starts. 758 00:42:50,520 --> 00:42:52,820 First you paint her beautifully, 759 00:42:52,850 --> 00:42:54,590 just like you used to paint me. 760 00:42:58,430 --> 00:43:00,930 Then you turn her into a whore. 761 00:43:04,430 --> 00:43:07,940 (scoffs) How dare you? 762 00:43:09,670 --> 00:43:12,570 I brought Raymonde here for you. 763 00:43:12,610 --> 00:43:14,880 Because I... because I love you. 764 00:43:16,140 --> 00:43:18,950 Now you accuse me... 765 00:43:18,980 --> 00:43:22,780 God knows what. 766 00:43:25,620 --> 00:43:29,020 I'm sorry. 767 00:43:29,060 --> 00:43:30,760 I know you would never hurt her. 768 00:43:30,790 --> 00:43:32,990 Of course I wouldn't! 769 00:43:33,030 --> 00:43:36,030 But we both know what happens to girls who grow up around here. 770 00:43:39,970 --> 00:43:42,000 We will protect her. 771 00:43:42,040 --> 00:43:46,040 What happens when we're not home? 772 00:43:46,070 --> 00:43:51,080 Some drunk artist staggers in from down the hall? 773 00:43:53,650 --> 00:43:55,680 This was a mistake. 774 00:43:57,920 --> 00:44:01,760 You and I both know this is no place for a child. 775 00:44:04,660 --> 00:44:07,800 PICASSO: The world is an ugly place. 776 00:44:07,830 --> 00:44:11,070 Our friend, Matisse-- he paints beautifully. 777 00:44:11,100 --> 00:44:12,830 But painting 778 00:44:12,870 --> 00:44:16,700 isn't just about portraying beauty. 779 00:44:16,740 --> 00:44:20,340 I learned that lesson around the time 780 00:44:20,370 --> 00:44:22,680 I was losing my first love. 781 00:44:22,710 --> 00:44:24,550 When I discovered 782 00:44:24,580 --> 00:44:28,180 the Trocadéro Museum. 783 00:44:28,220 --> 00:44:31,650 It was revolting. 784 00:44:31,690 --> 00:44:34,190 The smell. 785 00:44:34,220 --> 00:44:35,890 (chuckles) 786 00:44:35,920 --> 00:44:39,660 I wanted to get out, but I stayed. 787 00:44:39,690 --> 00:44:42,300 And then I saw them. 788 00:44:43,360 --> 00:44:45,870 Dozens of them. 789 00:44:48,900 --> 00:44:51,740 I saw right away 790 00:44:51,770 --> 00:44:53,670 they weren't like Matisse's statues. 791 00:44:53,710 --> 00:44:55,040 You know, they weren't art at all. 792 00:44:55,080 --> 00:44:57,610 They were magic. 793 00:45:00,880 --> 00:45:03,280 (indistinct chatter) 794 00:45:07,490 --> 00:45:11,760 I felt that everything was hostile. 795 00:45:11,790 --> 00:45:14,200 Women. 796 00:45:14,230 --> 00:45:16,100 Children. 797 00:45:16,130 --> 00:45:17,970 Animals. 798 00:45:18,000 --> 00:45:20,500 Everything. 799 00:45:36,250 --> 00:45:40,090 I finally understood what those masks meant. 800 00:45:42,360 --> 00:45:44,590 They were weapons... 801 00:45:46,960 --> 00:45:49,360 ...to protect against evil. 802 00:45:51,770 --> 00:45:55,300 I grasped why I was an artist. 803 00:45:55,340 --> 00:45:58,970 My brush was my weapon. 804 00:46:13,860 --> 00:46:16,290 * 805 00:46:31,910 --> 00:46:33,270 My shield. 806 00:46:33,310 --> 00:46:35,410 My protector. 807 00:46:38,050 --> 00:46:39,710 I knew what to do. 808 00:46:51,430 --> 00:46:53,860 I had to find the ugliness 809 00:46:53,900 --> 00:46:56,030 beneath the beauty. 810 00:47:02,040 --> 00:47:04,540 You want to see? 811 00:47:22,260 --> 00:47:25,160 But Pablo, it's beautiful. 812 00:47:25,190 --> 00:47:28,960 PICASSO: That's how I see you. 813 00:47:31,970 --> 00:47:34,840 You are different than the others. 814 00:47:34,870 --> 00:47:37,770 You see the beauty beneath my ugliness. 815 00:47:44,880 --> 00:47:46,450 GERTRUDE: Is this a joke? 816 00:47:46,480 --> 00:47:48,420 (chuckles) 817 00:47:48,450 --> 00:47:50,580 That is the most astute art critique 818 00:47:50,620 --> 00:47:52,290 you have ever given, Gertrude. 819 00:47:52,320 --> 00:47:55,260 Mm. 820 00:47:55,290 --> 00:47:57,560 (Leo clears throat) 821 00:47:57,590 --> 00:47:59,860 (Gertrude sighs) 822 00:47:59,890 --> 00:48:02,960 Chin up. 823 00:48:03,000 --> 00:48:05,570 You're only 26. 824 00:48:05,600 --> 00:48:08,600 Matisse didn't hit his stride 825 00:48:08,640 --> 00:48:10,500 until he was 35. 826 00:48:27,920 --> 00:48:30,960 For God's sake, Guillaume, 827 00:48:30,990 --> 00:48:34,330 you always have an opinion. 828 00:48:34,360 --> 00:48:36,930 Say something. 829 00:48:42,940 --> 00:48:45,770 I'm sorry, my friend, I... 830 00:48:50,940 --> 00:48:54,220 ...I don't think you want to hear it this time. 831 00:49:00,950 --> 00:49:04,190 Well... congratulations. 832 00:49:05,160 --> 00:49:06,690 For what? 833 00:49:06,730 --> 00:49:09,530 You said you wanted to offend. 834 00:49:09,560 --> 00:49:11,470 Be abhorrent. 835 00:49:11,500 --> 00:49:13,970 You've done it. 836 00:49:59,950 --> 00:50:01,880 Captioned by Media Access Group at WGBH